Archive items in Total Running Time at E.A.A.T
Image · Copyright · View Item: Day for Night - Light Changes, Josephine Sales
Day for Night - Light Changes, Josephine Sales
A niche is built into the gallery wall, which recedes 4 inches deep and is 19.5 inches tall and 26 inches wide. Perched within the niche are two contained light units at 45 inches high. The units are housed with factory fluorescent tube light sources that generically shine cold. The light source on the left has been manipulated.
This unit has been prepared to mitigate the cool light with a polyester film and diffusion, creating a daylight effect, hence the title Day for Night.
This light unit emits a bright amber glow that resembles dawn’s warmer orange light. It runs 24 hours daily. The second, cool light periodically accompanies the warm light throughout the day that sits next to it, on the right. This lightbox maintains the original cool hue and periodically runs for 15 minutes at the tail of every hour during gallery hours. The tubular light sources for both units are covered by a thin translucent material that allows light through but obfuscates the light bulbs themselves. Each unit is built with two 5,000 Kelvin bulbs, regulated by security timers to correspond with a 24-hour day cycle. The light sources are initially designed for people with seasonal affective disorder symptoms and/or low-level access to outdoor light. A warning is provided for anyone with photosensitivity.
Image · Copyright · View Item: Total Running Time by Josephine Sales
Total Running Time by Josephine Sales
Total Running Time, a multisensory installation encompassing four works by Josephine Sales
Image · Copyright · View Item: Day for Night, Josephine Sales
Day for Night, Josephine Sales
Day for Night, Josephine Sales
Video · CC-BY-ND (CC-Attribution-NoDerivs) · View Item: Pulses by Josephine Sales
Pulses by Josephine Sales
Image · Copyright · View Item: Rescue, Josephine Sales
Rescue, Josephine Sales
Rescue, a plaster wall relief, and two geometric forms are positioned on the gallery floor. The five-foot-high white plaster relief 1/8th inch thick sits on the left gallery wall and spills into the alcove, bending around the back left corner. Because it is so thin and the same white as the walls, it visually goes almost unnoticed, but the shadows that the letters cast help define the letters’ edges and contours. The plaster edges are unfinished and rough to the touch. On the left wall, the relief is shaped into three capital letters: R, E, and S. followed by a character of three thick, horizontally stacked lines that span the back corner, continuing to the back wall. Along the back wall, it also includes a capital C, U. It is an anagram of the word “secure.” Altogether, from the R to the U, the relief is 27 feet long. While most of the letters are elegantly simple with thick lines, upon closer inspection, the center of the U holds the image of a screw with a threaded top in the negative space.